MOSCHINO FALL WINTER 2020 FASHION SHOW LIVE STREAMING – MILAN 20TH FEBRUARY 2020 8.30 PM (CET)
Watch the Moschino Fall Winter 2020 Fashion Show in Live Streaming – Milan 20 th February 2020 at 8.30 PM CET. Stay Tuned…!!!
Thu, February 20 2020 » Fashion Blog
ALBERTA FERRETTI FALL WINTER 2020 FASHION SHOW LIVE STREAMING – MILAN 19TH FEBRUARY 2020 04.00 PM (CET)
Watch the Alberta Ferretti Fall Winter 2020 Fashion Show in Live Streaming – Milan 19th February 2020 at 04.00 PM (CET). Stay Tuned…!!!
Wed, February 19 2020 » Fashion Blog
SIMONE ROCHA FALL WINTER 2020 WOMEN’S COLLECTION – LONDON FASHION WEEK
Birth Life Loss
Coming in from the sea…pray for me.
Tailored lace, Birthing smocks and Baptism cloths.
Trimmed and tipped with cotton baby.
Buoys, Aran knit and sailor stitch.
Lurex tweed with lurex teeth.
Shark tooth and pearl bones.
Sea salt eyes, ribbons and ties.
Fisherman’s nets catching pearls.
Trawling for quiet.
Riders in the sea.
Wed, February 19 2020 » Fashion Blog
CHRISTOPHER KANE FALL WINTER 2020 WOMEN’S COLLECTION – LONDON FASHION WEEK
NATUROTICA
For Autumn Winter 2020, Christopher Kane continues to orbit themes of sex and nature by considering the perversion of Adam and Eve in the Garden of Eden as a love triangle between man, woman and nature.
Wild with temptation, the lovers choose banishment from Paradise in exchange for one bite of forbidden fruit. Corrupted by their lust, they live in shame without the benevolence of the Divine Presence.
Since ancient times the triangle has symbolised the eye of a Supreme Being watching over the universe – an all powerful source in both the natural and unnatural world.
This narrative is translated literally with a print of Lucas Cranach the Elder’s Adam and Eve, through to a more abstract interpretation with triangular details dominating the collection. Minimalist bows, cut-outs, pockets, patchwork, A-line shapes and bodice construction all follow the triangle – nature’s strongest structure.
Gel returns as harnesses worn over coats and dresses, while suede winter boots are enhanced with gel implants and the signature Gel Bag takes on a conservative handbag shape that’s subverted with gel patches.
Snakeskin print shoes and bags are a serpentine presence with more animal accents from zebra and ocelot prints across skirts, dresses and coats. The palette is earthy with bursts of sky blue and apple red disrupting the tranquillity.
Recurring themes from cupcake silhouettes and G-string lace eveningwear to crystal mesh gowns mimic the clean lines of the triangle resulting in a new, austere feel.
Wed, February 19 2020 » Fashion Blog
Tue, February 18 2020 » Fashion Blog
Tue, February 18 2020 » Fashion Blog
Tue, February 18 2020 » Fashion Blog
LOUIS VUITTON FALL WINTER 2020 MEN’S COLLECTION – PARIS FASHION WEEK
Streetwear is a label freely adopted and rejected by Virgil Abloh. Through the contemporary breakdown of dress codes, the popular idea of streetwear calls for a redefifinition of the term itself. Today, streetwear characterises the clothes we actually wear and the way we wear them.
For the Louis Vuitton Fall-Winter 2020 collection, men’s artistic director Virgil Abloh studies the evolving anthropology of the suit and the reprogramming of traditional dress codes.
Tailoring and the tapered silhouette – the fifirm symbols of convention, trade and success – depart their corporate comfort zone: twisted and turned, the dress codes of an old world are neutralised, re-appropriated and embraced for a progressive joie de vivre. Don’t let your day job defifine you.
Employing his evolving premise of boyhood at Louis Vuitton, Virgil Abloh investigates the lifelong relationship formed by adolescent and young men with shirting and suiting. It is material and fifigurative exercise in freedom, presented within the familiar constrictions of tailoring.
Surrealism is the instinctive act of making the ordinary extraordinary. The abstraction of the familiar expands our routine horizons and makes us see the world through unfazed eyes. Virgil Abloh applies the mechanics of the surreal to rewind the clock on our collective age-inflflicted comprehension.
Gazing at the world through the optics of a child – of an adolescent or a young man – is tantamount to fifirst impressions, to the purity of mind and the refreshing optimism of naivety. The turn of a decade heralds an appetite for fresh motivations.
Through a childlike perspective, the phenomena and traditions we take for granted are invigorated and elevated. Hovering over our heads like the ceiling of an age-old chapel or an everlasting fifilm set, the clouds in the sky appear dreamlike and infifinite: Heaven on Earth.
Broken clocks, engineered to spin backwards, are still right twice a day. The suit – a man’s mundane corporate uniform – is de- and recoded into a symbol of craft and creativity. As part of the set in the Jardin des Tuileries, the traditional tools of the artisan are magnifified into lionised sculptures; the icons of tradition honoured and changed with equal enjoyment.
Mon, February 17 2020 » Fashion Blog
DIOR FALL WINTER 2020 MEN’S COLLECTION – PARIS FASHION WEEK
Past, present, couture. For the Dior men’s winter 2020-2021 collection, artistic director Kim Jones draws on the Dior archives and iconography to celebrate the house’s timeless elegance. A journey to the heart of haute couture and a tribute to Judy Blame, a pivotal figure and a symbol of creativity that always looks to the future.
The silhouettes explore values of excellence and authenticity, evoking fashion not just as a finished product but as a creative process. Clothes, shoes and accessories sport engineered zips that enhance their construction, highlighting details and cut as an ode to christian Dior’s love of architecture. The Dior oblique canvas is revisited in beaded embroideries, while the Dior logo is pierced with a safety pin — a nod to Judy Blame’s diy-inspired style.
House codes, like reminiscences of haute couture, are embodied in the moiré effects of silk, embroideries, and the arabesque motifs and paisley patterns that make Dior’s heritage so rich. Opera gloves complete each look and buttons covered in fabric — like those on the iconic bar jacket — appear alongside a panorama of memories:
Shades of gray and blue, plays on volume, and pleats and draping that reference flou and tailoring techniques. Accessories evoke the mid-20th century, a turning point in fashion history. Shoes have a classic allure, reflecting the exceptional leather craftsmanship that represents another aspect of Dior’s heritage. The saddle is revisited in new, ever more fluid forms as the soft saddle; bags recall graphic briefcases and camera bags.
Crafted in polished calfskin, they come in a discreet palette of black, camel-vicuña and navy blue, and feature the signature Dior oblique motif enhanced with beading or in a handmade tapestry version. Drawing inspiration from the toile de jouy motif that decorated christian Dior’s first boutique — called
“colifichets” — the now-signature motif has been joined by the “toile de judy”, designed in collaboration with the trust Judy Blame foundation and based on the artist’s revolutionary work.
Jewelry designed by Yoon Ahn features reinterpretations of Judy Blame pieces, through metallic elements engraved and embossed with the Dior logo, and adorned with cannage or lily of the valley motifs. Berets by house milliner Stephen Jones pay tribute to parisian culture and the pioneering buffalo movement of the 1980s. Rich in meaning and creative modernity, this dialogue between the legacies of Dior and Judy Blame affirms, more than ever, the timeless power of savoir-faire.
Mon, February 3 2020 » Fashion Blog
Mon, February 3 2020 » Fashion Blog
