BLUMARINE SPRING SUMMER 2017 FASHION SHOW LIVE STREAMING – MILAN 24TH SEPTEMBER 2016 12.30 PM
Watch the Blumarine Spring Summer 2017 Fashion Show in Live Streaming – Milan 24th September 2016 12.30 PM. Stay Tuned…!!!
Watch the Blumarine Spring Summer 2017 Fashion Show in Live Streaming – Milan 24th September 2016 12.30 PM. Stay Tuned…!!!
Sat, September 24 2016 » Fashion Blog
Waves with infinite motion sheltered by thè sinuous outlines of mountains. During her long solitary walks to thè lake, Zhu Chongyun, thè visionary creative director and owner of Krizia, envisaged a delicate iconographic bridge between thè East and thè West, between thè ancient hi story ofthe Fashion House and its contemporary and global future. A romantic and sweet concept shaken by Constant interruptions, by discontinuity of style, unexpected colours, thè result of spending lots of time at thè historical archive of Via Womanin in Milan.
The iconic symbols return but without nostalgia or second thoughts. The past is blended into a current version of pure and direct lines that conceal surprises. A continuous, sophisticated reinterpretation of memories that acquire a contemporary vibe. A three-dimensional “haiku” And, even if everyone expects thè usuai tiger, this time it will be a new tiger. A different one.
The Krizia feline is back with a sharp style, printed, jacquard multicolour or lasered leather. It is concealed in fabrics with macro and micro flourishes, with fun camouflage effects. On blouse-sweaters, tank top dresses, laser cut leather and metal accessories, thè Symbol ofan era becomescolourful and pop. Fun and never dull.This isthe Krizia tiger.
And thè same applies to pleats, flounces and rouches, which become a petal on male jackets, a serrated biade on thè shoulder, an over-the-top handkerchief or a side fan tied with a ribbon. Precious details create a fusion between art and fashion, as in thè statuesque evening and cocktail dresses, embellished just like works of art. Waves are repeated and spread throughout thè collection, from thè shoulder strap of a shopping macro pochette in leather or fabric to fiat sabots.
The fabrics used are precious and innovative: wool threads with crisp silk, mohair with organza, stretch and pleats, thè result of cutting-edge technology and many special collaborations with ItaIian master craftsmen. Colours range from soft ice-cream and lake blue to light water blue and iridescent gold, connecting thè East and thè West.
Sat, September 24 2016 » Fashion Blog
Sat, September 24 2016 » Fashion Blog
“YOU’VE GOT TO CLIMB MOUNT EVEREST TO REACH THE VALLEY OF THE DOLLS”
JACQUELINE SUSANN
Way before Barbie there were paper dolls: 2D, hand-drawn mannequins delivered on the page with their own illustrated wardrobes. For his Spring Summer 2017 Moschino collection, Jeremy Scott finds inspiration in this original game of cut and paste for girls of taste.
Plus to muster that sweet, hard rush of insta-gratification for this season’s instantly-shoppable offering, Scott turns to another genre of ‘Dolls’ – as Jacqueline Susann termed them in her scandalous novel of 1966. It’s a capsule collection with a powerful dose of capsules.
Deploying trompe l’oeil detailing, angled illustrative flourish, and a first-look ’til last-look motif that echoes the white tabs of the original paper dolls, the collection is a Moschino-flavoured reverie on the ceremony of personal facade. It begins with a spaghetti strapped, slimly fitted shift dress that suddenly furls mid-calf to echo the foldable stand of the original paper dolls: its front is illustrated to make the wearer seem deshabille, in black bra and panties. She is the template, ready to be outfitted.
Early looks echo the joyous source code of the house’s creator: Franco Moschino’s signature black on red polka dot, his chains, that peace sign, those teddy bears. But those pearls are flattened panels, that bling is painted on, and those bears ain’t there. Whimsically subversive agit-chic. Dada-touched irreverence. A sly examination of stereotype that extends to the set: the gold chairs with red-velvet cushions, an intimate, half-raised, red-carpeted runway. A boldly old school reset.
What you see and what you get are never in sync. An apparently half shrugged-on trench coat, with a wickedly manicured hand just visible at its lapel, is nothing of the sort. What is ostensibly a capelet in pastel paint-by-numbers floral that seems to balloon below it certainly isn’t. Keep looking.
Scott takes a trip. Hoodies and sweats, quilted and chain-strewn leather minis, faux-kini bodies, Daisy Duke fishnet leggings, bikers and bombers, logo sportswear, washed denim: is this the real life, or just fantasy? The capsule of capsule strewn handbags, backpacks and dresses – plus a prescription pillbox clutch – hints at escape from reality.
The finale is a procession of augmented unreality eveningwear. Ruche and swoosh and swirl frozen in a 2D moment, yet 3D real. An interplay of true and skewed. From the front, a sugary hit of colour and flounce given hyper-real definition though illustrative steroid. From the back though, a blank. Paper dolls.
Fri, September 23 2016 » Fashion Blog
Fri, September 23 2016 » Fashion Blog
Pink flamingos, magic mushrooms, ice-cream trucks and a giant carousel… Welcome to Ghettoland, a candy-coloured town where everyone dreams big and fantasies really do come true. Entering through a towering ghetto blaster in a chauffeur-driven Cadillac, hip hop queen and ultra-vixen Fergie reigns supreme in this town. Her song M.I.L.F. $ booms through the enormous speakers: “You got that, you got that, you got that milk money… I got that, I got that, I got that MILF money.”
The Ghettoland girls chant the lyrics like a national anthem. These women are beautiful, powerful and in control. There are no desperate housewives here: these women run the place with a rod of glittering gold and they dress like hip hop honeys. Everyday uniforms like jeans and tracksuits are pimped-up into super-luxe pieces with the addition of croc-prints, intricate embellishment and layers of heavy gold jewellery.
Baseball caps, high-tops and bomber jackets are elevated into perfect examples of street-style couture. More is definitely more, and these women want to be noticed; their playthings – the local college boys and hired help – can only stand back and watch in awe as they swagger by. Alice in Ghettoland is the largest and most ambitious show ever attempted in Milan Fashion Week.
It is also the last time Philipp Plein will present a collection in Milan. Starting next season, the global brand will stage its explosive extravaganzas in New York City. Get ready, it’ll soon be time for a new adventure. #ALICEINGHETTOLAND
Fri, September 23 2016 » Fashion Blog
Watch the Moschino Spring Summer 2017 Fashion Show in Live Streaming – Milan 22nd September 2016 8 PM. Stay Tuned…!!! #JUSTSAYMOSCHINO
Thu, September 22 2016 » Fashion Blog
Urge to transgress, aspiration to build something new. All with the awareness that we can change the rules if we are perfectly familiar with them. That’s the thinking behind the definition of a new woman, one who’s ultra-feminine of mind yet very much into a femininity that finds freshness in the superimposition of the contrasting elements emblematic of contemporary cultures. The N°21 collection for spring/summer 2017 comes equally from a desire for continuity and a wish for renewal.
«While needing to break the rules that I now consider passé, I wanted to retake possession of the narrative on femininity forever behind my women’s fashion vision. I created layers of images through an overlapping of references so as to attain a very modern femininity that originates in a strong will to change. And I gave this new woman the chance to transgress and thereby build a present-day reality where perversion becomes a glamour game that’s both innocent and decisive,» says creative director Alessandro Dell’Acqua.
Layers of meaning that reflect tenets in evolution. Motley composite of symbols that ultimately forge connotations consistent with the times. For purposes of obtaining, Dell’Acqua goes on, «bothersome elements in classic femininity disoriented by ruptured elements.» Glam/sport fusion effects that spark quirky images where the off-center stance affords the item of clothing and the person wearing it a further opportunity for expression.
So here then are layered skirts and dresses thanks to the use of East European folk style-print foulards, complete with embroidered patch pockets and semi hidden under sequined plisse half skirts. Zipped scuba sweaters with pom-pom decors and passementerie trim on shoulders. Sequined tube skirts in chiffon and organza with tech fabric-edged side zip closures. Tulle-lined anoraks with big patch pockets all in mikado, versus macramé lace bombers with big patch pockets in duchesse.
Macramé dresses with, by contrast, a techy loose-mesh look. Linear dresses in poplin or crepe de chine, offset by a lovely ruche ruffle. High-heel tech-sole sandals with reflective bow on the narrow toe, in alternative to platforms with a running shoe sole. Big macramé rucksacks, as well as small embroidered cloth bags with macro bow closures and tech cord handles & shoulder straps. Lastly, the eyewear – designed in collaboration with Linda Farrow – where the golden lunette on the lens recaps the symptomatic mystery of this fresh take on the eternal power of feminine allure.
Recollections and references, superimpositions and sensations in crossover mode that inspire «a disruptive action necessary for renewing the tenets of femininity that no longer withstand the test of time. All for a woman who has no fear of skimming the sinful boundaries of her own move in a cool new direction», Dell’Acqua concludes.
Thu, September 22 2016 » Fashion Blog
Thu, September 22 2016 » Fashion Blog
WOMEN’S TALES
Sensuality, emerging in its most feminine and conscious form, is expressed with determination and warmth. Freer to feel unabashedly feminine, these women transform their strength into alluring radiance. The Alberta Ferretti Spring/Summer 2017 collection presents garments that can be worn alone or combined and layered to tell new stories. These clothes are creative tools for telling the story of a new woman whose personality strongly conveys unambiguous and conscious femininity.
“With this collection I wanted to introduce passion into my fashion narrative. Following my instinct, I expanded my romantic vision of femininity, adding the passionate character of women who openly express their feminine sensuality. They have a warmer, more radiant personality because they are freer and have no complexes. This is why I also used a touch of eccentricity to accentuate their physicality and character,” says Alberta Ferretti.
The collection juxtaposes different personalities and meanings. Ultra-feminine outfits are combined with menswear trousers and blazers. Tulle kimonos reveal embroidered sleeves, while airy chiffon dresses are worn over menswear trousers made of shiny silk shantung. The same fabric is used for dresses with dramatic crisp ruffles that precede long chiffon dresses cinched at the waist with leather belts that wrap around the waist bustier-style.
Bras are visible underneath completely sheer blouses worn like voile bed jackets. Silk grosgrain ribbons run down long kimonos, tracing movement. Fil coupé jacquard jackets and trousers are worn with organza pieces. The classic “Mia Mule” has a more relaxed look with floral embroidery or bugle bead embellishments which are also featured on clothing.
This deliberate layering is not done to create a theatrical effect, but to establish an unexpected narrative of discontinuity affirmed through a line that emphasizes the shoulders or leaves them bare in strapless dresses, accentuating a silhouette that transforms from languid to passionate through softer, fuller, flowing volumes.
Thu, September 22 2016 » Fashion Blog
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